Hercule Poirot Mysteries

Who poisoned the wealthy Emily Inglethorp and how did the murderer penetrate and escape from her locked bedroom? Suspects abound in the quaint village of Styles St. Mary—from the heiress's fawning new husband to her two stepsons, her volatile housekeeper, and a pretty nurse who works in a hospital dispensary.

With impeccable timing, and making his unforgettable debut, the brilliant Belgian detective Hercule Poirot is on the case.

First there was the mystery of the film star and the diamond . . . then came the “suicide” that was murder . . . the mystery of the absurdly cheap flat . . .a suspicious death in a locked gun room . . . a million dollar bond robbery . . . the curse of a pharaoh’s tomb . . . a jewel robbery by the sea . . . the abduction of a prime minister . . . the disappearance of a banker . . . a phone call from a dying man . . .and, finally, the mystery of the missing will.

What links these fascinating cases? Only the brilliant deductive powers of Hercule Poirot!

“Ingenious and unexpected.” –NEW YORK TIMES

The official edition of the beloved classic voted by the British Crime Writers’ Association as the "Best Crime Novel of all Time," now featuring a new introduction by Louise Penny, a foreword from Agatha Christie's great grandson, and exclusive content from the Queen of Mystery.

Roger Ackroyd knew too much. He knew that the woman he loved had poisoned her brutal first husband. He suspected also that someone had been blackmailing her. Then, tragically, came the news that she had taken her own life with an apparent drug overdose.

However, the evening post brought Roger one last fatal scrap of information, but before he could finish reading the letter, he was stabbed to death. Luckily one of Roger’s friends and the newest resident to retire to this normally quiet village takes over—none other than Monsieur Hercule Poirot . . .

Not only beloved by generations of readers, The Murder of Roger Ackroyd was one of Agatha Christie’s own favorite works—a brilliant whodunit that firmly established the author’s reputation as the Queen of Mystery.

But why is the dead man wearing his son's overcoat? And who was the impassioned love-letter in the pocket for? Before Poirot can answer these questions, the case is turned upside down by the discovery of a second, identically murdered corpse . . .

Framed in the doorway of Hercule Poirot's bedroom stands an uninvited guest, coated from head to foot in dust. The man stares for a moment, then he sways and falls. Who is he? Is he suffering from shock or just exhaustion? Above all, what is the significance of the figure 4, scribbled over and over again on a sheet of paper?

Poirot finds himself plunged into a world of international intrigue, risking his life—and that of his "twin brother"—to uncover the truth.

When the luxurious Blue Train arrives at Nice, a guard attempts to wake serene Ruth Kettering from her slumbers. But she will never wake again—for a heavy blow has killed her, disfiguring her features almost beyond recognition. What is more, her precious rubies are missing.

The prime suspect is Ruth’s estranged husband, Derek. Yet Hercule Poirot is not convinced, so he stages an eerie reenactment of the journey, complete with the murderer on board. . . .

On holiday on the Cornish Riviera, Hercule Poirot is alarmed to hear pretty Nick Buckley describe her recent “accidental brushes with death.” First, on a treacherous Cornish hillside, the brakes on her car failed. Then, on a coastal path, a falling boulder missed her by inches. Later, an oil painting fell and almost crushed her in bed.

So when Poirot finds a bullet hole in Nick’s sun hat, he decides that this girl needs his help. Can he find the would-be killer before he hits his target?

When Lord Edgware is found murdered the police are baffled. His estranged actress wife was seen visiting him just before his death and Hercule Poirot himself heard her brag of her plan to “get rid” of him.

But how could she have stabbed Lord Edgware in his library at exactly the same time she was seen dining with friends? It’s a case that almost proves to be too much for the great Poirot.

“The murderer is with us—on the train now . . .”

Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Without a shred of doubt, one of his fellow passengers is the murderer.

Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man's enemies, before the murderer decides to strike again.

“What more . . . can a mystery addict desire?”—New York Times

Sir Charles Cartwright should have known better than to allow thirteen guests to sit down for dinner. For at the end of the evening one of them is dead—choked by a cocktail that contained no trace of poison.

Predictable, says Hercule Poirot, the great detective. But entirely unpredictable is that he can find absolutely no motive for murder.…

From seat No. 9, Hercule Poirot was ideally placed to observe his fellow air passengers on the short flight from Paris to London. Over to his right sat a pretty young woman, clearly infatuated with the man opposite; ahead, in seat No. 13, sat a countess with a poorly concealed cocaine habit; across the gangway in seat No. 8, a writer of detective fiction was being troubled by an aggressive wasp.

Yes, Poirot is almost ideally placed to take it all in, except what he did not yet realize was that behind him, in seat No. 2, sat the slumped, lifeless body of a woman. Murdered, and likely by someone in Poirot’s immediate proximity. 

Amy Leatheram has never felt the lure of the mysterious East, but when she travels to an ancient site deep in the Iraqi desert to nurse the wife of a celebrated archaeologist, events prove stranger than she could ever have imagined. Her patient's bizarre visions and nervous terror seem unfounded, but as the oppressive tension in the air thickens, events come to a terrible climax--in murder.

With one spot of blood as his only clue, Hercule Poirot must embark on a journey not just across the desert, but into the darkest crevices of the human soul to unravel a mystery which taxes even his remarkable powers.

Mr. Shaitana is famous as a flamboyant party host. Nevertheless, he is a man of whom everybody is a little afraid. So when he boasts to Hercule Poirot that he considers murder an art form, the detective has some reservations about accepting a party invitation to view Shaitana’s “private collection.”

Indeed, what begins as an absorbing evening of bridge is to turn into a more dangerous game altogether.…

Everyone blamed Emily Arundell’s accident on a rubber ball left on the stairs by her frisky terrier. But the more she thought about her fall, the more convinced she became that one of her relatives was trying to kill her.…

On April 17th she wrote her suspicions in a letter to Hercule Poirot. Mysteriously, he didn’t receive the letter until June 28th…by which time Emily was already dead.…

Soon to be a major motion picture sequel to Murder on the Orient Express with a screenplay by Michael Green, directed by and starring Kenneth Branagh alongside Gal Gadot—coming February 11, 2022!

Beloved detective Hercule Poirot embarks on a journey to Egypt in one of Agatha Christie’s most famous mysteries.

The tranquility of a luxury cruise along the Nile was shattered by the discovery that Linnet Ridgeway had been shot through the head. She was young, stylish, and beautiful. A girl who had everything . . . until she lost her life.

Hercule Poirot recalled an earlier outburst by a fellow passenger: “I’d like to put my dear little pistol against her head and just press the trigger.” Yet under the searing heat of the Egyptian sun, nothing is ever quite what it seems.

A sweeping mystery of love, jealousy, and betrayal, Death on the Nile is one of Christie’s most legendary and timeless works.

“Death on the Nile is perfect.” —The Guardian

“One of her best. . . . First rate entertainment.” —Kirkus Reviews

Christmas Eve, and the Lee family’s reunion is shattered by a deafening crash of furniture and a high-pitched wailing scream. Upstairs, the tyrannical Simeon Lee lies dead in a pool of blood, his throat slashed.

When Hercule Poirot offers to assist, he finds an atmosphere not of mourning but of mutual suspicion. It seems everyone had their own reason to hate the old man. . . .

Since the publication of her first novel in 1920, more than two billion copies of Agatha Christie’s books have been sold around the globe. Now, for the first time ever, the guardians of her legacy have approved a brand new novel featuring Dame Agatha’s most beloved creation, Hercule Poirot.

‘I’m a dead woman, or I shall be soon…’

Hercule Poirot's quiet supper in a London coffeehouse is interrupted when a young woman confides to him that she is about to be murdered.  She is terrified – but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done.

Later that night, Poirot learns that three guests at a fashionable London Hotel have been murdered, and a cufflink has been placed in each one’s mouth. Could there be a connection with the frightened woman? While Poirot struggles to put together the bizarre pieces of the puzzle, the murderer prepares another hotel bedroom for a fourth victim...