Marquise de Brinvilliers: Celebrated Crimes, Book 16

Alexandre Dumas

Jun 2015 · Celebrated Crimes Book 16 · Freshwater Seas · Narrated by Robert Bethune

About this audiobook

To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.

In this, the sixteenth of the series, Dumas, the novelist-historian, brings his story-telling skills to a subject no less than infamous at the time and which still holds a fascination for us: Marie-Madeleine-Marguerite d'Aubray, Marquise de Brinvilliers.

The Marquise was tried, convicted, and executed for poisoning her father and two of her brothers. It appears that she learned the art of the poisoner from her lover, Godin de Sainte-Croix. She also targeted, but did not kill, her sister, a Carmelite nun. Her case launched what is known in French history as the Affair of the Poisons, a long-running judicial scandal which led to the execution or imprisonment of dozens of people, many of the highest rank in French society, including prominent members of the court of Louis XIV.

Although Duma's book on Brinvilliers has been dismissed as mere historical fiction, in reality it is solidly based on the documents of the time and on prior historical treatments of the case. Shocking as it is to suppose, this beautiful and cultured Frenchwoman was indeed a formidable murderess.

Of course, Dumas, the dramatist and novelist, cannot help embellishing the work of Dumas, the historian. It becomes clear that his true interest lies not in the events, but in the character of Brinvilliers herself, as she confronts the rapidly approaching fact of her own torture and execution. Approximately half the book is devoted to the conversations between the Marquise and Edmond Pirot, a theologian of the Sorbonne, who acted as her chaplain and confessor during the last days of her life. The give-and-take between them is an interesting dramatization of the workings of conscience and remorse.

Dumas may have collaborated on this, as he frequently did in his works, with other writers. Nevertheless, it is clearly Dumas who has the final say on this work, as with all the other works in this series.

Enjoy!

About the author

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.