La Constantin: Celebrated Crimes, book 9

Alexandre Dumas

Nov 2014 · Celebrated Crimes Book 9 · Freshwater Seas · Narrated by Robert Bethune

About this audiobook

To paraphrase the note from the translator, The Celebrated Crimes of Alexandre Dumas père was not written for children. The novelist has spared no language—has minced no words—to describe violent scenes of violent times.

In this, the ninth of the series, Dumas uses the lives of two women, Angelique-Louise de Guerchi and Josephine-Charlotte Boullenois, and the men who, to put it bluntly, control their lives. Most of the book is taken up with the doings and duels of those men, which ultimately lead to the untimely deaths of the two women. The agent of those deaths, the widow and midwife La Constantin, hardly appears in the story at all!

The place is Paris; the time is the period of civil war in France known as the Fronde. It is a time when power has fragmented; even a noble can find himself in the power of a commoner, and justice is a rare commodity. Dumas himself warns us not to seek the records of these cases, for this was not an age much concerned with the lives of more or less ordinary people; the great had bigger fish to fry. He lays no great stress upon it, but there is a very clear indictment of the society of that time, and a very clear portrait of the helplessness of women of the day.

Enjoy!

About the author

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.