The Paragon Hotel

Lyndsay Faye

Jan 2019 · Sold by Penguin

About this ebook

A gun moll with a knack for disappearing flees from Prohibition-era Harlem to Portland's Paragon Hotel.

The year is 1921, and "Nobody" Alice James has just arrived in Oregon with a bullet wound, a lifetime's experience battling the New York Mafia, and fifty thousand dollars in illicit cash. She befriends Max, a black Pullman porter who reminds her achingly of home and who saves Alice by leading her to the Paragon Hotel. But her unlikely sanctuary turns out to be an all-black hotel in a Jim Crow city, and its lodgers seem unduly terrified of a white woman on the premises.

As she meets the churlish Dr. Pendleton, the stately Mavereen, and the club chanteuse Blossom Fontaine, she understands their dread. The Ku Klux Klan has arrived in Portland in fearful numbers--burning crosses, electing officials, infiltrating newspapers, and brutalizing blacks. And only Alice and her new Paragon "family" are searching for a missing mulatto child who has mysteriously vanished into the woods. To untangle the web of lies and misdeeds around her, Alice will have to answer for her own past, too.

A richly imagined novel starring two indomitable heroines, The Paragon Hotel at once plumbs the darkest parts of America's past and the most redemptive facets of humanity. From international-bestselling, multi-award-nominated writer Lyndsay Faye, it's a masterwork of historical suspense.

Ratings and reviews

Going into this book, the prologue reads as an introduction and calls this ‘story’ a love letter, and early on the story did actually feel like it would meet that expectation, but somewhere along the way, just past the last 1/3 of the book, it started to overcomplicate itself and lose what connections that felt so relevant and important at first. But, the premise is wholly unique, with plenty of twists in that it is a young woman who, raised on the streets of New York City and involved in both legal and illegal industry is fleeing the city with her carpetbag, a few dollars, a vague idea of ‘westward ho’ and a bullet wound. Alice is heading for Oregon, believing that as it is so far removed from New York City, and perhaps believing her dead, not simply ‘disappeared’ she can regroup and build her life. With the effects of the bullet compromising her health, and a need to stay to herself and not ‘make a scene’, but having no ‘constraints’ on the color of her friends, she’s befriended a porter, Max, who reminds her of people and friends in New York. She’s in need of a friend, a helping hand, a place to live and medical attention, not necessarily in that order. Max brings her to the Paragon Hotel, in the segregated times, it was the only all-black hotel in the city and was run by Dr. Pendleton, a capable and discrete doctor. A white woman in the midst of an all-black hotel in a city that was pro KKK and wholly intolerant, even going so far as to enact legislation to ‘normalize’ the racism – using the “America first” rallying cry of their KKK chapter to ‘normalize’ the irrational behavior. A rather pointed and disturbing correlation to present day rhetoric flies through this story – giving us some intriguing and interesting stories from the various characters, the quotes gleaned from popular press of the day, and Alice’s own rather ‘colorful’ background with a deceased Italian father and her struggling Welsh-born mother working the streets, there’s also an onus of family that follows her, adding layers to the secrets and lies that are all around her – and while uncovering those secrets and untwisting the knots in NYC forced her to leave, she’s tottering on yet another pile of knots in Portland, which could bring her to another ‘jumping off point’. I wanted to love this story, but I just couldn’t get past the often ceaseless need to add yet another twist, lie or tangent into the story – some that tied back to New York, others that felt as if they did, yet were wholly west coast in nature- but it all became one more question, answer and challenge after another, and didn’t always feel as if they connected to who Alice is or was. Relying heavily on flashbacks and atmosphere – the writing is descriptive and illustrative, but I lost connections that I hoped to see carry through, solving some current and past questions for Alice. Interesting for the perspective of a woman, who was not quite ever accepted in any of the worlds she inhabited, as she worked her way through all of the stopgaps, legal and personal that are thrown in her way. I received an eArc copy of the title from the publisher via Edelweiss for purpose of honest review. I was not compensated for this review: all conclusions are my own responsibility.

About the author

Lyndsay Faye is the author of five critically acclaimed books: Jane Steele, which was nominated for an Edgar for Best Novel; Dust and Shadow; The Gods of Gotham, also Edgar-nominated; Seven for a Secret; and The Fatal Flame. Faye, a true New Yorker in the sense she was born elsewhere, lives in New York City.