The Romany Rye

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E-knjiga
388
str.
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O ovoj e-knjizi

George Borrow's 'The Romany Rye' is a unique blend of fiction, autobiography, and adventure. Set in the early 19th century, Borrow's portrayal of Romani culture and language showcases his deep interest in ethnography and linguistics. The novel is filled with vivid descriptions of the countryside, reflecting Borrow's own experiences traveling through Europe. Written in a straightforward and engaging style, 'The Romany Rye' is a captivating read that offers insight into the Romani way of life. Borrow's use of Romani dialogue adds authenticity to the story, making it a valuable piece of ethnographic literature. George Borrow, a British author and traveller, drew inspiration from his encounters with different cultures and languages. His fascination with the Romani people is evident in 'The Romany Rye', where he explores themes of freedom, identity, and belonging. Borrow's background in translation and language studies contributed to his meticulous attention to detail in portraying the Romani community. I highly recommend 'The Romany Rye' to readers interested in ethnographic fiction, linguistic diversity, and cultural exploration. Borrow's expertly crafted narrative offers a unique perspective on Romani culture and sheds light on the complexities of intercultural relations.

O autoru

Borrow was employed by the (Protestant) Bible Society to distribute bibles in Catholic Spain in 1835. He encountered much opposition and was on one occasion imprisoned for three weeks. The famous account of his experience has little to do with the Bible and much to do with the people, land, and perils of his journey. Borrow is as racy in his descriptions of places as of people. Lavengro (1851) and its sequel, The Romany Rye (1857), are like novels in their interest and excitement. They are stories of gypsies, rich in gypsy lore, superstitions, and customs. Borrow spent many years in close association with Spanish gypsies and translated the Gospel of St. Luke into their language. His linguistic abilities were remarkable; he gives much space to word derivations, particularly in Lavengro. His books abound in pugnacious passages; his attacks on Sir Walter Scott (see Vol. 1), on prizefighters, and on "papists" are indicative of some of his sharp prejudices. He wrote marvelously, however, and those who admire him are devotees for life.

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