The Man in the Iron Mask: Classic French Literature

· Classic French Literature Book 16 · 谷月社
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The Man in the Iron Mask is a name given to a prisoner arrested as Eustache Dauger in 1669 or 1670, and held in a number of jails, including the Bastille and the Fortress of Pignerol (today Pinerolo, Italy). He was held in the custody of the same jailer, Bénigne Dauvergne de Saint-Mars, for a period of 34 years. He died on 19 November 1703 under the name of Marchioly, during the reign of Louis XIV of France (1643–1715). The possible identity of this man has been thoroughly discussed and has been the subject of many books, as no one ever saw his face because it was hidden by a mask of black velvet cloth.

Writer and philosopher Voltaire claimed (in the second edition of his Questions sur l'Encyclopédie, published in 1771) that the prisoner wore an iron mask and was the older, illegitimate brother of Louis XIV. In the late 1840s, writer Alexandre Dumas elaborated on the theme in the final installment of his Three Musketeers saga: here the prisoner is forced to wear an iron mask and is Louis XIV's identical twin. Dumas also presented a review of the ideas about the prisoner extant in his time (circa 1840) in the chapter "L'homme au masque de fer" of the sixth volume of his Crimes Célèbres.

What facts are known about this prisoner are based mainly on correspondence between his jailer and his superiors in Paris.

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About the author

Alexandre Dumas , born Dumas Davy de la Pailleterie ; 24 July 1802 – 5 December 1870), also known as Alexandre Dumas, père, was a French writer. His works have been translated into nearly 100 languages, and he is one of the most widely read French authors. Many of his historical novels of high adventure were originally published as serials, including The Count of Monte Cristo, The Three Musketeers, Twenty Years After, and The Vicomte de Bragelonne: Ten Years Later. His novels have been adapted since the early twentieth century for nearly 200 films. Dumas' last novel, The Knight of Sainte-Hermine, unfinished at his death, was completed by a scholar and published in 2005, becoming a bestseller. It was published in English in 2008 as The Last Cavalier.

Prolific in several genres, Dumas began his career by writing plays, which were successfully produced from the first. He also wrote numerous magazine articles and travel books; his published works totaled 100,000 pages. In the 1840s, Dumas founded the Théâtre Historique in Paris.

Dumas' father (general Thomas-Alexandre Davy de la Pailleterie) was born in Saint-Domingue (present-day Haiti) to a French nobleman and an enslaved African woman. At age 14, Thomas-Alexandre was taken by his father to France, where he was educated in a military academy and entered the military for what he made as an illustrious career.

His father's aristocratic rank helped young Alexandre acquire work with Louis-Philippe, Duke of Orléans. He later began working as a writer, finding early success. Decades later, in the election of Louis-Napoléon Bonaparte in 1851, Dumas fell from favor, and left France for Belgium, where he stayed for several years. Upon leaving Belgium, Dumas moved to Russia for a few years, before going to Italy. In 1861 he founded and published the newspaper, L' Indipendente, which supported the Italian unification effort. In 1864 he returned to Paris.

Though married, in the tradition of Frenchmen of higher social class, Dumas had numerous affairs (allegedly as many as forty). He was known to have at least four illegitimate or "natural" children, including a boy named Alexandre Dumas after him. This son became a successful novelist and playwright, and was known as Alexandre Dumas, fils (son), while the elder Dumas became conventionally known in French as Alexandre Dumas, père (father). Among his affairs, in 1866 Dumas had one with Adah Isaacs Menken, an American actress then less than half his age and at the height of her career. Twentieth-century scholars have found that Dumas fathered another three "natural" children.

The English playwright Watts Phillips, who knew Dumas in his later life, described him as, "the most generous, large-hearted being in the world. He also was the most delightfully amusing and egotistical creature on the face of the earth. His tongue was like a windmill – once set in motion, you never knew when he would stop, especially if the theme was himself."

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