“Esperance had gone her way, trembling with happiness. Everything in life seemed opening for her. For the first time she was aware of her own individuality; for the first time she recognized in herself a force: would that force work for creation or destruction?”
Fifteen-year-old Esperance Darbois, the only daughter of philosophy professor François Darbois, is determined to become a woman of the stage. But becoming an actress will sully the respectability of the Darbois family, damage her marriage prospects, and harm her father’s distinguished reputation.
A romantic adventure featuring thwarted love and dramatic duels written by pioneering actress Sarah Bernhardt, The Idol of Paris is the kind of prime melodrama Bernhardt would have starred in on stage or in film.
Sarah Bernhardt (1844–1923) was a legendary French stage and early film actress, and has been referred to as “the most famous actress the world has ever known.” Bernhardt made her fame on the stages of Europe in the 1870s, and was soon in demand in Europe and the Americas. She developed a reputation as a serious dramatic actress, earning the nickname “the Divine Sarah.”
Gabrielle de Cuir is a Grammy-nominated and Audie Award-winning producer whose narration credits include the voice of Valentine in Orson Scott Card’s Ender novels, Ursula K. Le Guin’s The Tombs of Atuan, and Natalie Angier’s Woman, for which she was awarded AudioFile magazine’s Golden Earphones Award. She lives in Los Angeles where she also directs theatre and presently has several projects in various stages of development for film.