The New Moon’s Arms
About this audiobook
What's in a name? A lot, according to Caribbean-born Chastity, who has adopted the more fitting moniker Calamity. Now in her fifties, true to her name, Calamity is confronting two big life transitions: her beloved father has just died, and she is starting menopause, a physical shift that has rekindled her special gift for finding lost things. Suddenly she is getting hot flashes that seem to forge objects out of thin air. Only this time, the lost item that has washed up on the shore is not her old toy truck or her hairbrush, but a four-year-old boy. As Calamity takes the child into her care, she discovers that all is not as it seems: the boy's family is most unusual. Then Calamity must reawaken to the mysteries surrounding her own childhood and the early disappearance of her mother.
About the author
Nalo Hopkinson is the author of The New Moon’s Arms, The Salt Roads, Midnight Robber, and Brown Girl in the Ring, among many others. She has won numerous awards, including the John W. Campbell Award, the World Fantasy Award, and Canada’s Sunburst Award for fantasy literature. Her award-winning short fiction collection Skin Folk was selected for the 2002 New York Times Summer Reading List and was one of the New York Times Best Books of the Year. Currently, she is a professor of creative writing at the University of California–Riverside.
Gin Hammond received her MFA from the American Repertory Theatre Institute for Advanced Theatre Training at Harvard University/Moscow Art Theatre School. A native of San Diego, she has worked steadily across the country at theaters such as the Guthrie, Arena Stage, the Longwharf Theatre, ACT, the Pasadena Playhouse, ART, the Berkshire Theatre Festival, and the Studio Theatre. She has also performed internationally at the Moscow Art Theatre and the Roadside Theatre in Heidelberg, Germany. Additionally, Ms. Hammond is a grant recipient of the Ford Mellon Foundation for her work on a multicultural anthology of plays, under the auspices of Ms. Ruby Dee.
