Tomorrow-Land: The 1964–65 World’s Fair and the Transformation of America
About this audiobook
Motivated by the idea of turning Flushing Meadows, literally a land of refuse, into his greatest public park, Robert Moses—New York's "master builder"—brought the World's Fair to the Big Apple for 1964 and '65. Though considered a financial failure, the 1964/65 World's Fair was a sixties flash point in areas from politics to pop culture, technology to urban planning, and civil rights to violent crime.
In an epic narrative, Tomorrow-Land shows the astonishing pivots taken by New York City, America, and the world during the fair. It fetched Disney's empire from California and Michelangelo's La Piet├á from Europe and displayed flickers of innovation from Ford, GM, and NASA—from undersea and outer-space colonies to personal computers. It housed the controversial work of Warhol (until Governor Rockefeller had it removed) and lured Ken Kesey and the Merry Pranksters. Meanwhile, the fair—and its house band, Guy Lombardo and his Royal Canadians—sat in the musical shadows of the Beatles and Bob Dylan, who changed rock and roll right there in Queens. And as southern civil rights efforts turned deadly, and violent protests also occurred in and around the fair, Harlem-based Malcolm X predicted a frightening future of inner-city racial conflict.
World's Fairs have always been collisions of eras, cultures, nations, technologies, ideas, and art. But the trippy, turbulent, Technicolor, Disney, corporate, and often misguided 1964/65 fair was truly exceptional.
About the author
Joseph Tirella wrote about the borough of Queens for the New York Times’ much-missed City section and penned pieces for the paper’s Metro and Business sections. A former senior editor at Fortune Small Business, his work has also appeared in Rolling Stone, Esquire, the New York Post, and MSN.com.
Joe Barrett began his acting career at the age of five in the basement of his family's home in upstate New York. He has gone on to play many stage roles, both on and off-Broadway, and in regional theaters from Los Angeles, Houston, and St. Louis to Washington DC, San Francisco, and Portland, Maine. He has appeared in films and television, both prime time and late night, and in hundreds of television and radio commercials. Joe has narrated over two hundred audiobooks. He has been an Audie Award finalist eight times, and his narration of Gun Church by Reed Farrel Coleman won the 2013 Audie Award for Original Work. AudioFile magazine has granted Joe fourteen Earphones Awards, including for James Salter's All That Is and Donald Katz's Home Fires. Regarding Joe's narration of John Irving's A Prayer For Owen Meany, AudioFile said, "This moving book comes across like a concerto... with a soloist-Owen's voice-rising from the background of an orchestral narration." Joe is married to actor Andrea Wright, and together they have four very grown children.
